These beautiful, precious, refined Murano glass chandeliers are the centre of the house: order them exactly the colour and size you like.
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furnace, it was improved at the end of the 15th century with the introduction of the perforated glass barrel.
With the "retortoli" process began, which, together with the "redesello" process, a weave of reeds in which small air bubbles are trapped, will be called "filigree" from 1687 onwards.
In order to regulate participation in the Councils, which were also attended by non-muranese people, a "Golden Book" was established in the 17th century, in which only those entitled to Murano citizenship were entered. In this century the Murano mirrors, produced as early as the 16th century, were particularly appreciated. In 1665, the minister of Louis XIV, Giambattista Colbert, recruited Murano workers specialising in the working of glass plates for mirrors, to introduce this work into the Murano glass industry
"Manifacture Royale des Glaces de Miroir".in Paris.
The Venetian production of the 18th century, which suffered from the competition of Bohemian and English glass, was held high by Giuseppe Briati, with his chandeliers with metal arms covered with tubular elements (the bushings of the Ca'rezzonici) blown crystal with polychrome decorative elements (the Ciocche, hence the name of Rezzonico chandelier or lock) and the "desser" that is centerpiece.
The only flourishing production was that of the conterie. The first signs of awakening were in 1838 with Domenico Bussolin, who gave new impulse to the filigree working. A prominent figure around the middle of the century was Pietro Bigaglia, with his original fíligrane containing aventurine threads,
and the paper presses made of millefiori.
To convince the Murano people that it was possible to return to the ancient greatness was
which, after the middle of the century, opened the
"Festive school of drawing for artists".
and today's Glass Museum, in which he collected documents from the Murano archives, together with glass, portraits and medals. The Vicenza lawyer
produced mosaics that were exported all over the world.
After their rediscovery by Lorenzo Radi, and gathered the best masters for the production of light and elegant artefacts.
In the last years of the 1800's and the beginning of the last century, the glassmakers of Murano produced blown glass of excessive technical virtuosity.
Between the two wars and in the second post-war period the most important ones were born
Today's glassworks, mostly still working in the traditional way, with tools and techniques that are centuries old:
to make chandeliers, objects, mirrors, glassware, murrina glass,
decoration and engraving on glass, lampwork objects.
Nowadays there is a growing attention of some good craftsmen to a production of modern taste artefacts, but that shows a wise use of a centuries-old technology.
Firme di Vetro spa, an international group that included brands such as ITRE, Murano Due, Aureliano Toso, Murano 1938, Gallery Vetri d'Arte and Alt Luci alternative. Synonyms of innovation, research and development, globalisation and synergy are the new values of the Firme di Vetro group today.
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MCF Murano Factory Chandeliers